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The Meeting

by Deep Jazz

supported by
William Schmausser
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William Schmausser Outstanding traditional Jazz arrangements. The stand up bass work is great. Not a bad track on the album. Favorite track: Don´t Get Drowned.
Osunlade
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Osunlade Beautiful jazz from first note to last, eloquently done Favorite track: Little Sunflower.
Philip Graham
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Philip Graham A nine-piece, acoustic bass-driven jazz unit that includes two strong female singers, often in harmony, a bass clarinet and a classical harp. A classic modal-jazz period sound, lovingly rendered. And the two intricate piano/harp duets in "Movement" are beyond sublime. This is one of my favorite Bandcamp purchases. Favorite track: Movement.
Andrew Jervis
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Andrew Jervis Deep Jazz is what it says on the tin, and it's what's inside, too. Really nice version of the Hubbard classic - a little cosmic, with harps and flutes dancing over a driving b-line. Favorite track: Little Sunflower.
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1.
Beauty beyond compare The rainbow in your hair Little sunflower Your people proud and strong Wise with ancestor long Little sunflower Sunlight from your father Shining on the sea of life Moonlight from your mother Giving for the milk of life
2.
The Meeting 06:00
3.
No Doubt 05:49
4.
Movement 05:58
5.
Mystic Sky 08:27
6.
7.
Invisible 06:29
8.
9.
East & West 05:23
10.
11.
Autumn Sun 06:24

about

The group Deep Jazz recorded its second album in a new exciting nonet formation. Leader and bassplayer Jerker Kluge wrote nine completely new compositions for the group, chose two classics of the genre for a new interpretation and arranged the material for the new exceptional and very special line-up.

Very special indeed are the two voice vocals, performed by singer Julia Fehenberger and pianist/vocalist Andrea Hermenau, the horn section (flute/alto, tenor and bass-clarinet) as well as the concert harp, an instrument seldom used in jazz, that adds a really special flavour to the recording. Together with the rhythm section and additional percussion the band features a unique line-up.

The musical core is the spiritual and modal jazz from the golden era of jazz in the 1960ies, but of course Kluge´s own musical ideas and influences are added, creating a very special musical cosmos, that is additionally spiced by the individual talents of the involved musicians.

credits

released March 16, 2012

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Deep Jazz München, Germany

The music of Munich bass player Jerker Kluge is deeply rooted in the jazz music of the 1960ies, as released on legendary labels “Impulse” and “Blue Note”.
The core is the spiritual and modal jazz from this era, but of course Kluge´s own musical ideas and influences are added, creating a very own musical cosmos, that is additionally spiced by the individual talents of the involved musicians.
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